Showing posts with label rocks. Show all posts
Showing posts with label rocks. Show all posts

Monday, 28 July 2014

A Change in the Wind

I went up to Haytor Rock in search of interesting skies and beautiful scenery and for a moment the sun broke out from behind the darkening clouds putting hope in my head that the day would stay dry, maybe even warm up. Naive of me to think so. 

Within an hour the weather had turned, darkened and visibility had dropped. I was even asked to guide a few walkers back to the car park as they had lost their landmarks in the sudden (ish) fog. 

Nevertheless I managed to capture these images before my world shrunk to a hundred and fifty metres. 


Nikon D7000, Nikkor 16-85mm @ 24mm, 1/200s @ f5.6, ISO 125

Nikon D7000, Nikkor 16-85mm @ 50mm, 1/2500s @ f7.1, ISO 1000


Nikon D7000, Nikkor 16-85mm @ 16mm, 1/4000s @ f6.3, ISO 1000


Nikon D7000, Nikkor 16-85mm @ 16mm, 1/5000s @ f6.3, ISO 1000


Nikon D7000, Nikkor 16-85mm @ 16mm, 1/4000s @ f6.3, ISO 1000




Sunday, 27 July 2014

A Frustrating Development

So the other day I took a gentle stroll to a cove near to home with my camera at sunset. I was set to creating some photos taking advantage of the colour and light of the setting sun. There were numerous scenes that I wanted so I methodically went about setting up my tripod, the hot shoe bubble level for my horizon and for each scene I adjusted and readjusted the compositions until I was happy. At this stage of each respective scene, I was now ready to attach a graduated and a standard filter and set my camera for some long exposures. 

After a few shots I would naturally check my capture on the rear screen and by and large I was pleased with them. It was only after I'd uploaded them to the laptop did I see the problem.

Review of my captured images showed that one of my filters (later determined to be my standard filters; 0.6 and 0.9 ND) had physical blemishes that well and truly showed up on the images.

Not a happy bunny. 

Despite my near-obsession to maintain and properly store my filters it seems that these two had somehow been overlooked and ended being scratched and pock marked. 


Nikon D7000, Nikkor 16-85mm @ 16mm, 0.8s @ f11, ISO 100
 

Nikon D7000, Nikkor 16-85mm @ 22mm, 13.0s @ f22, ISO 100


Nikon D7000, Nikkor 16-85mm @ 16mm, 10.0s @ f4.5, ISO 100


Nikon D7000, Nikkor 16-85mm @ 16mm, 25.0s @ f5.0, ISO 100

The upshot is that I'm now looking to replace those standard filters and upgrade my landscape kit. So staying positive. 


Sunday, 13 October 2013

Shades of Grey: Part Two

Since capturing the violinist in the subway I progressed through the year utilising monochrome as and when I felt it was appropriate. Usually this was when there was a higher level of contrast in the scene and no real colour to speak of. Or if I was out doing some sort of street photography; my general preference for shooting people being in monochrome.


There have been occasions where I’ve walked into my workplace (out of hours of course) to see what images I could capture in their. On one particular day I’d gone in and found there wasn’t a great deal happening which was unusual for this kitchen. It was more or less quiet, people weren’t in a mad haste to get ready for that evening’s service, all in all it was rather calm.


I’d entered through the side entrance, to my left was the kitchen porters area where all the pots plates and dishes were washed. Nothing was happening there, certainly nothing visually interesting. However after a moment of attuning to the new environment, I saw movement through the hole in the wall directly in front of me. Looking past the metal shelving that stood on the other side of the wall I saw saucepans stacked up stock pans boiling away with the kitchen’s sous chef in the distance busying himself with something on the far table. 

I'd already increased my ISO after testing the light levels once I'd come inside. Wanting to take the shot quickly I stepped towards the hole in the wall and drew the viewfinder to my eye. Making a quick composure, I thumbed the dial to adjust for exposure. Using the nearby pans as my focal point I fired the shutter, once, twice. 

A visually interesting image (for me) which continues to intrigue me. 



Nikon D3100, Nikkor 18-55mm @ 32mm, 1/200s @ f4.8, ISO 1600

********

Walking the southern Cornish Coastal Path past Nare Head, I happened upon a small sheltered cove known as Kiberick Cove. I deviated from the path and ambled down the relatively steep grassy slope, hesitating in parts as I negotiated mud and gravel slides. 

The tide was out and I saw that Kiberick Cove doesn't have a beach (not even a pebble beach) but rather a ton of large rocks and boulders, most of which are covered in slimy seaweed (making it treacherous under foot). I scrambled across a few rocks to see what was around. I'd guessed most (if not all by the looks of things) of the marine life had been washed out with the tide. As per usual the sun had barely shown it's face and the day was instead marred with the drama of a coming storm (at least there was definition in the sky). 

As I looked out to sea I saw Gull Rock nestled on the horizon and I knew I wanted that as the background to a shot. I made my way towards the waterfront, struggling as I went against the seaweed and sometimes precariously balanced rocks that seemed so stable before putting my weight on them. Movement caught my eye in the last moments of my foot descending for a purchase and I halted suddenly. A small crab, half the size of my palm, had darted out from under a rock and had stopped just where I was about to land. It was all I could do to not crush the little blighter under my weight. 

As I regained my balance and footing, I wanted to capture (digitally) my new companion but before I could even turn my camera on he'd scarpered back under a rock. 

I continued on, a little more cautious with my footfalls now, and finally came to a sandy area on the waterfront. Ahead of me sat a trio of lichen covered rocks. The sky was sullen as I composed my shot and it was the influencing factor in changing from colour to monochrome. 

Click,


Nikon D3100, Nikkor 18-55mm @ 18mm, 1/60s @ f16, ISO 100

For me this image became a turning point in my photography. I had raised my own bar and I was no longer content to take mediocre shots. I became more selective in editing through my images (never before had my delete button seen so much use).

********

Wednesday, 25 September 2013

Strolls in the Mist


Gwithian Sands on the Cornish north coast has long been one of my favourite haunts to relax, but never before had I seen it with fog quite so thick as it was on the Thursday, maybe two weeks ago. To call it atmospheric is accurate but scarcely does it justice. I'd gone there on this occasion with my girlfriend and her dog, a Border Terrier with an affinity to roll in the sand, simply for quality time together and as ever I'd taken my camera along with me. 

Granted on this day I didn't have my full kit with me, not even a tripod. Just an entry level Nikon DSLR and a 16-85mm lens that I use as my default. Nevertheless I was determined to make the most of the situation, changed heads in favour of a photographer’s mind-set and set off into the mist. 

Walking across the grassy dunes before the beach is a pleasant and relaxing past-time, if a little taxing given my current and frustrating state of unfitness, but with a 100 metre visibility and the natural environment in downturn as winter approached I struggled to see any potential compositions. Previously I'd enjoyed low suns with the wind breezing through the tall grasses and the surf washing the sand in the distance. Today however, all I could see was grass and dirt tracks with our dog running hither and to marking his territory. 

It was photographically frustrating. 

Not until we reached the beach did the visibility extend out to maybe 200 or 300 metres. I could now see the potential of the mist with the rock formations and the cliff faces that gradually disappeared into the distance. At this point I looked around and found my other half removing her shoes and rolling up the ends of her jeans while the dog, Rolo, was indeed rolling and scratching his back in the sand.

I wasn't really in the mood to get my feet wet and so remained to adjust my camera settings for the ambient light of the moment. When I turned again, I noticed her footprints in the sand leading away from me were rather prominent and she was already a fair way away and up to her ankles in the sea. 

Choosing the footprints closest to me as my focal point and with a relatively wide aperture set, I held the camera upright as for a portrait, aligned the horizon to roughly the top third of the frame and...

Click...

In a moment of mental absence, (seemingly more frequent as I get older) I had forgotten to adjust the shutter speed and so my image of footprints in the sand emerged on the camera's built-in LCD screen with significant over-exposure. So obviously, I dialled up the shutter speed, watching the exposure meter slide across and tried again. 



Better.  

Much better in fact. My Partner in Crime was in the distance, frozen in time as she splashed through the Autumn surf with Rolo just behind her and both shown with, to my mind, the right amount of blur. The footprints in the sandy foreground however were in focus and added a good amount of interest to the fore of the shot. I was happy with the image and looked forward to poring over it later on my laptop. But for now my Darling, still in the surf, was moving further along the beach and I needed to catch up to her. I made sure nothing had fallen from my pockets (car keys) and holding my camera secure I jogged towards her.

Rolo had at this point seen my splurge of movement and had bounded over to me to investigate. I slowed and crouched to receive him, but rather than thudding into me for fuss he peeled off from his initial course, slowed to a stop and began twisting and rolling in the sand. 

Daft animal, I thought again, but I still took the opportunity for a shot. Assuming the rule of thirds I placed Rolo’s writhing body in the lower left corner of my frame,  levelled my horizon and…

Click…


My settings were as they were for the previous shot so I wasn’t overly concerned about over-exposure (or under for that matter). Overall I was happy with the image, the exposure was fine but for Rolo’s tortuous movement my shutter speed was a touch slow and while the image was pleasant and amusing, even engaging to a lesser extent, it was not perfect. Rolo's movement had a slight blur to it and he wasn't quite in focus. By the time I’d compensated by adjusting not only my shutter speed but also also my ISO level and was ready for another attempt, he’d upped and was off again.

Daft animal.

So finally I’d caught up with my Partner in Crime and we strolled along the mist shrouded beach. Ahead of us several silhouettes eventually took shape out of the fog. Drawing closer it became clear they were of surfers, all of them in the sea bar one who seemed to be going through several yoga positions (though I couldn’t be sure). I would have liked to take a few misty silhouette shots but (to my judgement) I had the wrong lens on for this and if I’d moved closer they would have ceased to be silhouettes shrouded in mist.

So we ignored them and continued along the beach, Rolo running around us chasing scents and leaving his mark. After a while we came up to a group of rocks, gradually appearing from out of the fog and which stood isolated like an island in a sea of sand. I stood and took in the new scene; the rock formation was engaging to my eye, the cliffs to my right stood tall and dominating but faded softly into the distance, the mist itself adding a tremendous atmosphere. I wondered if the surfer silhouettes would be included in a wide angle frame…

They were, and I felt a grin grow at the corner of my mouth.

Levelling my horizon I checked all my settings. Unlike the previous shots which had reflective light from the wet sand the ambient light here was much softer so rather than increase my ISO level and introduce noise to the image, I reduced my shutter speed ever so slightly, still keeping it at a hundredth of a second. I decided upon changing my white balance too while I was at it. 

Click…


I was pleased with the preview that emerged on the camera's screen, I knew I’d crop up the lower edge in post processing as the beach was a dead space which added nothing to the image. Though this aside I felt the image was balanced and worked well. Once again I secured my camera (and car keys), caught up with my girlfriend who was navigating bare foot over some rocks with Rolo pushing the get ahead. By now I was starting to feel hungry and asked how she was feeling. 

We went and got something to eat.